Nancy

{ Image above via Artisan }

Last week, Meg and I had the pleasure of attending an event hosted by West Elm and Studio Choo. Alethea Harampolis and Jill Rizzo—the floral designers behind Studio Choo—were celebrating the launch of their new book, The Flower Recipe Book. The duo gave a lesson on how to make a beautiful arrangement using peonies, ranunculus, roses, honeysuckles, pokeberry, and crabapple. At first, I felt overwhelmed by all the options and had a flashback of the sad centerpieces I made last Thanksgiving. But just like in their book, we were given step-by-step instructions and felt at ease when it was our turn to make our own bouquet (shown below).

If you’d like to create your own bouquet, good news: The Flower Recipe Workshop is coming to West Elm locations nationwide this Saturday, May 11.  That’s right—you can learn how to make a carnation flower arrangement just in time for Mother’s Day! Tickets are $65, and the cost includes all materials as well as the vase. Attendees will not only take home a floral project of their own creation, but a copy of The Flower Recipe Book, too. Those of you in Seattle get an extra-special treat: Jill and Alethea will be at the Seattle store on Saturday. Call your location West Elm to register (more information is available here). And don’t miss West Elm’s video on the workshop!

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This is the last week of the Sketches Exclusive series with the talented Grace Lee. We have enjoyed sharing her talent with you! Grace’s sketches this week are inspired by storefronts in her neighborhood. She captured great details for each shop, like the tiles and sidewalk pattern for the barbershop, the climbing vines and flowers for the restaurant Cibot , and the pink and blue tiles for the Chinese restaurant. Don’t they make you want to see these places in person? Thanks again Grace, for sharing your wonderful new illustrations with us!

This is the barber shop at the end of my street. I love all the little details: the tiles, the arched window, and the little aqua stripes on the square pot plant boxes out front.

My friend Ebony’s boyfriend told me about this place, Cibot. It’s actually on the other end of my street. They make the best Ragu, sometimes with hand made pasta! I love the details of the vines on the walls and the bottles out the front. Really, really cute.

I’ve never eaten here, but it’s on the other side of Shimokitazawa, (where I live). It looks like a Chinese restaurant from the outside. The pink and blue tiles on the side are what I like most about it.

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This week brings us the third installment of our Sketches Exclusive with artist Grace Lee. I get so excited to check my inbox every week to see her new illustrations! The theme for today is flora and fauna. Grace captures a few images of her walk to and from work, and her recent trip to the Aomori prefecture. I also couldn’t resist asking Grace a few more questions about her upcoming work and her process.

Do you have any new projects that you are working on?
At the moment I’m working on a few magazine illustration jobs in Japan. This is the first time I’ve been published here, so it’s been a major achievement for me. I’m incredibly grateful for the opportunities that have come up, especially recently. Also, I’ll be releasing a new range of wall stickers in Australia with The Wall Sticker Company. There’ll be some familiar pieces, and hopefully people will like them for their walls.
Were there any challenges you faced when switching over from design to illustration?
I’ve been fortunate enough to have not had too many challenges. I think having a background in design has been a major advantage because it has helped me to understand how an illustration can fit into/work with the layout, which in turn makes it easier to come up with the ideas. The biggest challenge at the beginning was getting work out there. I already had a portfolio of design, but a smaller range of actual illustration work. That has taken a little bit of time to build up, but I’ve loved the whole process and I can really see progression.

I have THE nicest neighbour. Whenever I leave the house and if she’s out in front, she’ll open the gate for me and say, “Itterasshai,” (the Japanese expression you say to people when they are leaving). I drew this because I love the little red plant she has by her door and the strange porcelain dog sitting next to it. These two are the first things I see when I come in the gate.

I recently went on a short trip to Aomori prefecture. Unfortunately, I didn’t get to see the lake that I wanted to visit. But along the way to the art gallery, the bus drove past all these cute ‘cloud-pruned’ trees. It’s not uncommon to see these everywhere in Japan.

I see this on the way to work and there is always a blue watering can sitting in the square hole. The hanging strawberries are adorable.

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Today, we are excited to post the second week of Grace Lee’s sketches (done exclusively for Anthology!). This time around, Grace is sharing drawings of some of her most treasured items. I especially love the illustration of her cat clock; I can completely visualize the real thing hanging up on a wall. We also asked Grace a few questions about her life and work in Japan.

When did you start drawing and decide to become an illustrator?
I studied visual communications at university and worked as a designer for about four years before moving to Japan. While working on editorials and advertising, I was really lucky to have brilliant art directors who let me do line illustrations on layouts that needed it. Originally when I came to Japan, I thought I wanted to continue doing design, but decided about a year ago that I enjoyed illustration more. I guess that’s when I made the switch and started to really focus on drawing.

Why did you make the big move to Japan?
When I was a teenager, my sister was a ‘host mother’ to a Japanese home-stay student and we sort of became pen-pals. She would send me bits and pieces from Japan and vice-versa. My brother-in-law also loved Japan a lot, so both of these factors had a huge influence on my moving here. After my first visit in 2007, I decided that I’d like to try living here. It’s a great source of inspiration for work and just such an amazing place to live. Things that are everyday here, are still so interesting and new to me even after two and a half years on.

Do you plan on living there much longer?
I have three more years on my visa, so I’m thinking I’ll stay for at least another two if not the whole three. I love traveling around Japan, so I probably won’t be leaving until I’ve visited most of the places I’d like to see on my list.

The cat clock’s name is Simone (as written on the box) but unfortunately I’ve since had to shut Simone down. The relentless noise her sliding tail was all too much. Eventually when I leave Japan, I’ll be taking Simone with me. She was given to me from my amazing and funny friend Mary. A couple of years ago, Mary came to visit and also bought me my pink fridge.

Blue pouch: This was from my mum. My mum has a whole drawer of these types of pouches. She gave this one to me (with some rosary beads inside) before I left for Japan. I’m not a believer like her, but the pouch and those beads always remind me of how much she believes in me.

Red cuff links: When I first moved to Japan and I didn’t have a lot of money. I needed to buy a suit for a job interview. One of my oldest and dearest friends, Michelle, sent a suit, shirt, and these cuff links over. They meant something to her and she passed them on to me to give me a bit of luck.

I don’t even think my sister knows, but I still have this Thoreau magnet from when I graduated from high school in 1997. Anne gave this to me back then and I brought it with me to Japan as a reminder of why I came.

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I am very excited to kick off the second installment of our Sketches Exclusive series today with freelance illustrator Grace Lee. Originally from Sydney, Australia, Grace currently lives and works in Tokyo, Japan. I can see some of the Japanese influence coming through in her latest drawings, and I love how she playfully captures the smallest details in objects, like the patterns that line envelopes and the decorative borders on a condiment jar, that most people do not notice. It makes you stop and appreciate the things you see everyday. These illustrations were all inspired by patterns around the house; for more information, you can read Grace’s descriptions of each image below. We’ll be sharing more of Grace’s original work in the coming weeks, so stay tuned!

Patterns from my electricity, gas, water, and mobile bill envelopes. I’m pretty sure the inside of utility bills back home were white. I don’t even remember keeping them.

I got this top from the local ward office bazaar. It was a lucky find, because the market was being held on the day I just happened to be going to get my resident card renewed. Plus, it was only 150 yen! I love the painterly floral pattern on the black fabric.

I love Japanese packaging. It’s completely different to stuff I’d find back home. I love the small details and unfamiliarity of it all. I really like the little white pattern running across the top of the honey bottle, the ‘coffee art’ markings on these addictive matcha latte chocolate cookies and the cute drawings on these matchboxes. There’s a different animal for each month and they’re all designed in the same way.

{Top photo taken by CBA}

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